FIRST. FINEST. FEARLESS.

OC818
$ 1,399.00 £ 899.00 € 1.029,00

Large-diaphragm Condenser Mic with Multiple Polar Patterns and Dual Output

The OC818 – our original Holy Grail. Handcrafted in Vienna with the CKR12 capsule for extreme detail and high SPL handling. Dual outputs and optional wireless control via OCR8 give you full flexibility. Shape polar patterns, stereo, or Ambisonics in post – one mic, total control, legendary sound.

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OC818
$ 1,399.00 £ 899.00 € 1.029,00
Quantity
Austrian Audio OC818 | First. Finest. Fearless.
Austrian Audio OC818 | First. Finest. Fearless.

MADE FOR NO LIMITS.

Flagship Studio Vocals

Flagship Studio Vocals

From intimate performances to powerhouse vocals, the OC818 captures every nuance with rich, smooth detail. Its handcrafted CKR12 capsule delivers depth, balance, and silky highs, while 139 dB of dynamic range leaves room for everything from whispered lines to full-force performances without compromise.

Acoustic Instruments

Acoustic Instruments

From the deepest double bass to delicate strings, the OC818 captures acoustic instruments with rich, natural depth. Its handcrafted CKR12 capsule reveals fine detail and effortless tonal balance, while multiple polar patterns let you shape the relationship between instrument, room, and microphone naturally.

Drum Overheads

Drum Overheads

Fast transients. Huge dynamics. The OC818 captures cymbals, shells, and the full energy of the kit with rich, open detail. With 139 dB dynamic range and switchable pads, it handles serious impact, while multiple polar patterns give you control over kit and room.

Amplifiers

Amplifiers

From clean tones to driven cabinets, the OC818 captures every layer of an amp with depth and definition. Up to 158 dB SPL handles serious level, while switchable pads and multiple polar patterns give you the control to shape attack, body, and room.

Stereo Techniques

Stereo Techniques

Stereo without limits. Every OC818 is factory-calibrated for seamless matching, while dual outputs capture both diaphragms independently. Record in XY, then take control in post – reshape polar behavior, adjust the stereo image, or turn two OC818s into a first-order Ambisonics setup afterwards.

CKR12. Pure Sound at Its Core.

At the heart of the OC818 is the CKR12  – Austrian Audio’s handcrafted 1” dual-diaphragm true condenser capsule, featuring an edge-contacted design, built on the legacy of the legendary CK12 and pushed far beyond it. Engineered with a ceramic isolator and individually measured during production, the CKR12 delivers exceptional consistency, ultra-low distortion, and a level of detail that reveals every nuance of a performance. Fast transients, open highs, controlled lows – all captured with absolute precision and zero artificial coloration.

No vintage myths. No artificial character. Just the full truth of your sound.

Nothing added. Nothing held back.

Open Acoustics. Let the Sound Breathe.

Inside a microphone, every surface can get in the way. Reflections hit the diaphragm milliseconds late, creating comb filtering that colors the signal. Our Open Acoustics Technology takes those obstacles out. The capsule sits as freely as possible, with reflective surfaces and contact points reduced to a minimum and carefully selected absorber materials controlling what remains. Sound reaches the capsule openly from every side, preserving natural detail, cleaner polar patterns, and reliable rear rejection for improved feedback resistance on stage.

Less reflection. Less coloration. More of the source, exactly as it should sound.

Open by design. Naturally true.

Precision. Mic After Mic.

Great recordings start with consistency. That’s why every OC818 is individually measured and factory-calibrated to ±0.5 dB across the full polar pattern range. The result: predictable performance from one microphone to the next – and any two OC818s are ready to work together without hand-matching. Build a stereo setup today, add another mic tomorrow, or expand into more complex recording setups later. The same precise standard is built into every OC818. 

No searching for the perfect pair. No guesswork. Just consistency you can rely on. 

Matched by precision. Not by chance. 

READY FOR EVERYTHING.

Patterns. Your call.

Patterns. Your call.

Four classic polar patterns plus one programmable preset put directivity at your fingertips. Go from omni to cardioid, hypercardioid, or figure-eight, then save your own setting for instant recall. From focused vocals to open rooms and stereo setups, the OC818 adapts before you record.

Cut the noise. Keep the sound.

Cut the noise. Keep the sound.

Three switchable high-pass filters let you shape the low end before it reaches the mix. Cut rumble at 40 Hz, tighten things up at 80 Hz, or control proximity and unwanted lows at 160 Hz. Less cleanup later. More control while recording.

Headroom without hesitation.

Headroom without hesitation.

Quiet detail or serious impact – the OC818 is ready for both. With 139 dB dynamic range, switchable -10 dB and -20 dB pads, and up to 158 dB SPL, it captures everything from delicate performances to massive transients without holding your recording back.

CONTROL. REIMAGINED.

Dual output. Decide later.

Dual output. Decide later.

Two diaphragms. Two independent signals. Total freedom. Dual Output captures the CKR12’s front and rear diaphragms separately, keeping critical decisions open after recording. Shape polar patterns, control proximity, create stereo images, or unlock immersive workflows later – without committing during the original recording take.

OCR8. Go Wireless.

OCR8. Go Wireless.

Go wireless without touching the audio. The optional OCR8 Bluetooth dongle connects your OC818 to PolarPilot while the signal path stays fully analog. Change settings from the console, across the room, or on stage – without disturbing the carefully placed microphone, placement, or performance.

PolarPilot. Take control.

PolarPilot. Take control.

Your OC818, under complete control. PolarPilot lets you remotely adjust polar patterns in 255 fine steps, switch filters and pads, monitor overload, and save settings for instant recall. Fine-tune the microphone from your mobile device before or during the take without touching it.

RECORDING. REIMAGINED.

PolarDesigner

Record first. Shape directionality later. PolarDesigner3 turns the OC818’s two diaphragm signals into complete control over polar behavior in post. Shape directivity independently across up to five frequency bands, control proximity effect, keep tonal balance consistent when changing patterns, or automatically find the ideal pattern to reduce unwanted spill. From subtle corrections to entirely new creative choices, your microphone’s directionality is no longer locked in when you hit record.

READ MORE

PolarDesigner

Record first. Shape directionality later. PolarDesigner3 turns the OC818’s two diaphragm signals into complete control over polar behavior in post. Shape directivity independently across up to five frequency bands, control proximity effect, keep tonal balance consistent when changing patterns, or automatically find the ideal pattern to reduce unwanted spill. From subtle corrections to entirely new creative choices, your microphone’s directionality is no longer locked in when you hit record.

READ MORE

StereoCreator

Capture first. Build the stereo image later. StereoCreator3 lets you reshape spatial decisions long after the microphones are in the case. Use one OC818 for pseudo-stereo, or two for true stereo with full control over XY, M/S, and Blumlein. Adjust stereo width, recording angle, polar patterns, and spatiality in post – even rotate the entire Blumlein image virtually. One recording becomes multiple stereo possibilities, without committing to a single setup during the session.

READ MORE

StereoCreator

Capture first. Build the stereo image later. StereoCreator3 lets you reshape spatial decisions long after the microphones are in the case. Use one OC818 for pseudo-stereo, or two for true stereo with full control over XY, M/S, and Blumlein. Adjust stereo width, recording angle, polar patterns, and spatiality in post – even rotate the entire Blumlein image virtually. One recording becomes multiple stereo possibilities, without committing to a single setup during the session.

READ MORE

AmbiCreator

Two microphones. One complete 3D sound field. AmbiCreator3 turns four diaphragm signals from two stacked OC818s into full first-order Ambisonics B-format. Capture the room in every direction with W, X, Y, and Z components, then rotate the entire sound field horizontally after recording and output in AmbiX or FuMa. From immersive room recordings to VR and 360° audio, one compact setup opens an entirely new dimension of spatial recording.

READ MORE

AmbiCreator

Two microphones. One complete 3D sound field. AmbiCreator3 turns four diaphragm signals from two stacked OC818s into full first-order Ambisonics B-format. Capture the room in every direction with W, X, Y, and Z components, then rotate the entire sound field horizontally after recording and output in AmbiX or FuMa. From immersive room recordings to VR and 360° audio, one compact setup opens an entirely new dimension of spatial recording.

READ MORE
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What Friends Are Saying

The OC-B6 has been on two records already and the kick drum sound is amazing! I truly love it.

"As a percussionist, I do not think in instruments—I think in sounds.

Through the Austrian Audio microphone, I began to think that "the microphone is also an instrument.

The Austrian Audio OC818’s have been a game changer in my studio setup — incredibly detailed, balanced, and perfect for capturing the full character of my drums.

An incredibly open, transparent, neutral and yet dynamic sound, my go-to for drums, definitely and almost always for toms.

Chris Hewitt

The OC818 and OC18 have become my go-to choice for drum overheads, but I regularly use them on guitar amps and even studio vocals.

58erl-381_quer©_AstridKnie

The OC818 is finally a mic that can stand up to our beautiful old C414 Silver Arrow and we can now use it for all our instruments and voices.

Reviews

Basique.com
The Austrian Audio OC818 is not just another microphone in the market; it’s a testament to the relentless pursuit of sonic excellence.
Sound On Sound Gear Of The Year 2019
Austrian Audio have brought to market a top-class mic at a very tempting price.
Sound & Recording 09-10 2019
Austrian Audio ist es gelungen, die Wiener Tradition nicht nur wiederzubeleben, sondern auch um zukunftsweisende Technologien zu erweitern.
MusicTech OC818/18
These microphones perform superbly on almost all instruments and voices. Their even-handed nature and freedom from unwanted resonance makes them brilliant all-rounders in most situations
amazona.de OC818 Review
Das OC18 hat schon ordentlich vorgelegt, aber was Austrian Audio mit dem OC818 zum Preis von knapp unter 1000,- Euro bietet, ist herausragend.
Audio Media International OC818 Review
This is a reference grade studio mic that stands on its sound quality, but also offers features that will soon become indispensable parts of our studio workflow.
Bonedo OC818 Review
Das Austrian Audio OC818 ist ein durch und durch gelungenes Mikrofon, das klanglich und vom Handling her eine wirklich gute Figur abgibt.
SoundOnSound Magazine 07/2019
The OC18 and OC818 aren’t just great microphones for the price: they’re great microphones, full stop.
Recording Magazine (USA) 10/2019
This is a mic where there’s no point in highlighting sources- the OC818 loves them all, from delicate strings to rocking guitar cabinets, to drum overheads and piano. It’s also lovely on vocals
Audio Technology 9/2019
The OC818 is one of the best-sounding new microphones I’ve had the pleasure of reviewing over the past 15 years

Awards

Sound Samples

Technical Specifications

  • Directional characteristic (Multi) Cardioid, Omnidirectional, Figure-8, Hypercardioid & preset/custom programmable
  • Frequency range 20 Hz – 20 kHz
  • Sensitivity (all directions) 13 mV/Pa
  • Equivalent noise level 9 dB SPL (A)
  • Max. SPL 148 dB SPL (158 dB SPL)
  • Analog low cut filter 40 Hz (2nd Order), 80 Hz (2nd Order), 160 Hz (1st Order down to 80Hz, 2nd Order below)
  • Switchable pad -10 dB, -20dB
  • Impedance: 275 Ω (symmetrical)
  • Load impedance > 1 kΩ
  • Supply voltage 48 V (< 4mA, typical 2.1mA)
  • Main connector XLR 3 pin
  • Second connector: Mini XLR 5 pin connector for back membrane
  • Dimensions 157 x 63 x 36 mm
  • Weight 360g

Charts

Frequency Chart

Cardioid - Frequency Chart

Polar Plot

Cardioid - Polar Plot

Frequency Chart

Figure eight - Frequency Chart

Polar Plot

Figure eight - Polar Plot

Frequency Chart

Hypercardioid - Frequency Chart

Polar Plot

Hypercardioid - Polar Plot

Frequency Chart

Omnidirectional - Frequency Chart

Polar Plot

Omnidirectional - Polar Plot

Frequency Chart

Preset Mode Default - Frequency Chart

Polar Plot

Preset Mode Default - Polar Plot

Downloads

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